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Hg. Palimpsests in Ethnic and Postcolonial Literature and Culture: Surfacing Histories. Cham: Palgrave Macmillan, 2021. MitherausgeberInnen: Yiorgos D. Kalogeras, Thessaloniki; Johanna C. Kardux, Leiden; Jopi Nyman, Joensuu.

Hg. Performing Ethnicity, Performing Gender: Transcultural Perspectives. New York: Routledge, 2017. Mitherausgeberin: Bettina Hofmann, Universität Wuppertal.

Hg. Vampires and Zombies: Transnational Transformations. Jackson: University of Mississippi Press, 2016. Mitherausgeberin: Dorothea Fischer-Hornung, Heidelberg.

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Hg. Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction. Madison, NJ: Fairleigh Dickinson University Press, 2003. Mitherausgeberin: Dorothea Fischer-Hornung, Universität Heidelberg.

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"Walking in New York City and Lagos: Spatial Memory in Teju Cole’s Novels." Atlantic Studies 18.3 (Sept. 2021). https://doi.org/10.1080/14788810.2020.1805242

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Rezension von Lanzendörfer, Tim, Books of the Dead: Reading the Zombie in Contemporary Literature. Jackson: UP of Mississippi, 2018. Amerikastudien 65.4 (2020): 535-37.

"Introduction". Performing Ethnicity, Performing Gender: Transcultural Perspectives. Hg. Bettina Hofmann und Monika Mueller. New York: Routledge, 2017. Koautorin: Bettina Hofmann. 1-19.

"The Performance of Ethnicity in Bollywood-Style Music Videos by Cornershop and by Ramesh B. Weeratunga". Performing Ethnicity, Performing Gender: Transcultural Perspectives. Hg. Bettina Hofmann und Monika Mueller. New York: Routledge, 2017. 207-221.

"Hybridity Sucks: European Vampirism Encounters Haitian Voodoo in The White Witch of Rosehall". Vampires and Zombies: Transcultural Migrations and Transnational Interpretations. Hg. Dorothea Fischer-Hornung und Monika Mueller. Jackson: University of Mississippi Press, 2016. 130-46.

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"Response to Gopalan Balachandran, 'Atlantic Paradigms and Aberrant Histories.'" Koautorin: Dorothea Fischer-Hornung. Atlantic Studies: Global Currents 11.1 (2014): 64-66. (online).

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"I Have Seen the Future and It Is Mongrel" — Time Travel, Race and Music in Richard Powers’s The Time of Our Singing. Mobile Narratives: Travel, Migration, and Transculturation. Hg. Eleftheria Arapoglou, Mónika Fodor und Jopi Nyman. New York: Routledge, 2013.

"Johnny Cash and Bob Dylan Revisited: Musical ‘Authenticity’ and Transnational Adaptations of Country and Folk Music". Transnational American Cultures: Stories and Spaces. Hg. Rocio G. Davis. New York: Routledge, 2012. 104-17.

"Introduction". Beyond Uncle Tom’s Cabin: Essays on the Writing of Harriet Beecher Stowe. Hg. Sylvia Mayer und Monika Mueller Madison, NJ: Fairleigh Dickinson University Press, 2011. Koautorin: Sylvia Mayer. 3-15.

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"From Ancient European Folk Legend to American Superhero: The Golem in Recent Jewish American Fiction". Religion in the United States. Hg. Jeanne Cortiel, Kornelia Freitag, Christine Gerhardt und Michael Wala. Heidelberg: Winter 2011. 269-82.

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"Chin, Frank: Donald Duck". Kindlers Literatur Lexikon. Hg. Heinz Ludwig Arnold. Stuttgart: Metzler, 2009.

"Oates, Joyce Carol: We Were the Mulvaneys". Kindlers Literatur Lexikon. Hg. Heinz Ludwig Arnold. Stuttgart: Metzler, 2009.

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Rezension von Merten, Kai. Antike Mythen – Mythos Antike. Posthumanistische Antikerezeption in der englischsprachigen Lyrik der Gegenwart. Darmstadt: Wilhelm Fink Verlag, 2004. Anglistik (März 2007).

"Race and National Identity in Harriet Beecher Stowe’s Uncle Tom’s Cabin and Dred and George Eliot’s Daniel Deronda". Sites of Ethnicity: Europe and the Americas. Hg. William Boelhower, Rocio G. Davis und Carmen Birkle. Heidelberg: Winter, 2004. 131-47.

"A Cuban American ‘Lady Dick’ and an African American Miss Marple?: The Female Detective in the Novels of Carolina Garcia-Aguilera and Barbara Neely". Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction. Hg. Dorothea Fischer-Hornung und Monika Mueller. Madison, NJ: Fairleigh Dickinson University Press, 2003. 114-32.

"Afterword". Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction. Hg. Dorothea Fischer-Hornung und Monika Mueller. Madison, NJ: Fairleigh Dickinson University Press, 2003. Koautorin: Dorothea Fischer-Hornung. 320-22.

"Interview with Valerie Wesley Wilson". Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction. Hg. Dorothea Fischer-Hornung und Monika Mueller. Madison, NJ: Fairleigh Dickinson University Press, 2003. Koautorin: Dorothea Fischer-Hornung. 308-19.

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"Nineteenth-Century Narraceons: Race, Gender, and (National) Identity in Harriet Beecher Stowe’s Uncle Tom’s Cabin and Dred and George Eliot’s Daniel Deronda" in Rac(e)ing Questions (Dezember 2002).

Rezension von Adams, Kimberly VanEsveld. Our Lady of Victorian Feminism: The Madonna in the Work of Anna Jameson, Margaret Fuller, and George Eliot (Athens: Ohio University Press, 2001). Mediating Gender (Juni 2002).

"Hard-Boiled Domestic(s)? Die Kriminalromane von Valerie Wilson Wesley und Barbara Neely". Frauen auf der Spur: Kriminalautorinnen aus Deutschland, Großbritannien und den USA. Hg. Carmen Birkle et al. Tübingen: Stauffenburg Verlag, 2001. 163-178.

"A Post-Colonial Look at the Salem Witchcraft Story: Reassessments and Reassignments of Tituba’s Involvement". Identities and Minorities. Hg. Peter Drexler und Andrea Kinsky-Ehritt. Berlin: Trafo Verlag, 2003. 177-90.

"Love and Other Dismemberments in Jeannette Winterson’s Novels". Engendering Realism and Postmodernism. Hg. Beate Neumeier. Amsterdam: Rodopi, 2001. 41-51.

"From Hard-Boiled Detective to Kaspar Hauser?: Masculinity and Writing in Paul Auster’s The New York Trilogy". Subverting Masculinity: Hegemonic and Alternative Versions of Masculinity in Contemporary Culture. Hg. Russell West und Frank Lay. Amsterdam: Rodopi, 2000. 144-62.

"Nineteenth-Century Constructions of Race: Margaret Fuller, Nathaniel Hawthorne, Harriet Beecher Stowe". Holding Their Own: Perspectives on the Multi-Ethnic Literatures of the United States. Hg. Dorothea Fischer-Hornung und Heike Raphael-Hernandez. Tübingen: Stauffenburg Verlag, 1999. 191-203.

"‘The Great Event of a Woman's Existence’. Homoerotische Männerfreundschaften und die Darstellung von Weiblichkeit und weiblicher Sexualität in Hawthornes The Blithedale Romance und Melvilles Pierre." Zwischen Schrift und Bild. Entwürfe des Weiblichen in literarischer Verfahrensweise. Hg. Christine Krause, Sylvia Mayer, Margret Schuchard und Agnes Speck. Heidelberg: Mattes Verlag, 1994. 135-55.